Submission Guidelines are sometimes amusing, while simultaneously daunting (although I sympathize with the editors). Here’s a long list of “don’ts” from the submission page of Clarkesworld. The good news: response time within 2 days.
Over at Word Count, a new podcast logo winner: Sessha Batto — Congrats!
And for the next installment of Word Count, a new prompt:
The Word Count Episode Fifteen Submission Guidelines (PLEASE READ CAREFULLY)
PROMPT: A Taxi ride late one night in the city turns strange, when…Taxi
DEADLINE: I must receive your submission by MIDNIGHT (Eastern Time) 30th June 2011
Listen to author M.A. Fink read his poem, “Between the Bricks of Everyday”:
This is an 2009 essay by Brecht Andersch from the SFMOMA of Tarkovsky’s classic film, Stalker, one of my favorite films of all time.
Excerpt: Tarkovsky approached his work on Stalker with a fanatical devotion perhaps even leading to his death at age 54, felled by the same form of cancer which also took his wife (who acted as assistant director on Stalker) as well as Anatoli Solonitsyn, who plays the Writer. They are said to have been exposed to toxic chemicals in the evocative landscapes serving as Stalker‘s exteriors, an unfortunate legacy of the injudicious Soviet treatment of the environment.
I’m not surprised, as the film’s darkly surreal environment and nomadic characters are quite haunting, and lend themselves to imaginative flights—not of fancy, but of speculation and existential questioning. It’s easy to see how the film can be a great inspiration to speculative and fantasy writers, as well as game creators.
The vote for best logo design for R.B. Wood’s Word Count Podcast is now on. Cast your vote today! HERE.
What do you teach when you teach science fiction? Mike Brotherton has a post on the sci-fi textbook, Sense of Wonder: a Century of Science Fiction (he’s a contributor). Its table of contents tells you what’s revered in the sci-fi canon (at least for these editors), from Edgar Rice Burroughs’ “A Princess of Mars” to Charles Stross’ “Lobsters” in the 1990s.